Every LUT here is a standard .cube file, which Premiere Pro loads in the Lumetri Color panel with nothing to install. The free ones download without an account.
Free soft portrait .cube LUT. Gentle contrast, warm mids and two skin-tone passes covering light and deep skin. For DaVinci Resolve, Premiere Pro, Final Cut Pro, and CapCut Desktop.
Free cyberpunk .cube LUT. Boosted cyan and magenta against crushed blacks for neon night footage. For DaVinci Resolve, Premiere Pro, Final Cut Pro, and CapCut Desktop.
Free bright and airy .cube LUT. Lifted exposure, soft matte blacks and protected highlights. For lifestyle, interiors and product. Works in Resolve, Premiere, Final Cut, and CapCut Desktop.
Free moody cinematic .cube LUT. Deep teal shadows, restrained saturation and protected skin tones. For DaVinci Resolve, Premiere Pro, Final Cut Pro, and CapCut Desktop.
Amber shadows, golden mids, creamy highlights. Warms footage shot at any time of day. Free .cube LUT for Resolve, Premiere, Final Cut and CapCut Desktop.
Lifted blacks and compressed contrast. Shadows sit grey instead of black. Free .cube LUT for DaVinci Resolve, Premiere Pro, Final Cut and CapCut Desktop.
Deep blacks, bright controlled highlights, steep mid-tone curve. No colour cast. Free .cube LUT for Resolve, Premiere, Final Cut and CapCut Desktop.
Kodak-style film emulation. Lifted shadows, warm mid-tones, cream highlight rolloff. Free .cube LUT for Resolve, Premiere, Final Cut and CapCut Desktop.
Cold, desaturated grade. Blue-navy shadows, steel highlights, cooled skin. Free .cube LUT for Resolve, Premiere, Final Cut and CapCut Desktop.
Luminance-faithful black and white that holds detail in highlights and shadows. Free .cube LUT for Resolve, Premiere, Final Cut and CapCut Desktop.
Teal shadows, warm skin. The complementary split that separates subject from background. Free .cube LUT for Resolve, Premiere, Final Cut and CapCut Desktop.
Sunset warmth .cube LUT. Golden highlights over cool shadows so the frame keeps its separation. Travel, wedding and lifestyle. A one-time purchase, or included with Luttie Lifetime.
Bleach bypass .cube LUT. Crushed contrast and collapsed saturation with metallic residual colour. The silver-retention film process, included with Luttie Lifetime, or bought on its own.
VHS .cube LUT. Lifted milky blacks, green-cyan shadow cast, bleeding reds. The retro tape look for DaVinci Resolve, Premiere, Final Cut, and CapCut Desktop.
15 Apple Log .cube LUTs for iPhone ProRes Log: a neutral conversion, four looks and five film stock looks, plus the film stock looks for Apple Log 2 on iPhone 17 Pro.
5 Nikon N-Log to Rec.709 .cube LUTs that convert and grade in one file. Neutral conversion plus warm, cool, contrast and faded looks. For the Z6, Z7, Z8, Z9 and Zf.
10 Canon C-Log3 .cube LUTs that convert and grade in one file: a neutral conversion, four looks and five film stock looks. For the R5, R6, R7, R8, C70 and C400.
6 portrait .cube LUTs built around skin rather than the whole frame. Natural, studio, warm, editorial and soft beauty, plus a Deep Tone look made for deeper skin tones. For Resolve, Premiere, Final Cut and Lightroom.
6 real estate .cube LUTs for listing photos and property video. Clean whites under mixed lighting, protected window highlights, and a twilight exterior look. For Lightroom, Resolve, Premiere and Final Cut.
8 wedding .cube LUTs that protect white dresses and hold skin tones. Ceremony, golden hour, candlelit reception and timeless film. For DaVinci Resolve, Premiere Pro, Final Cut, and CapCut Desktop.
8 soft, pastel .cube LUTs. Lifted blacks, milky highlights and muted colour that keeps skin warm. Lotus-style florals, airy portraits and gentle film looks for DaVinci Resolve, Premiere Pro, Final Cut, and CapCut Desktop.
A high-density 65-point .cube LUT built for 4K and UHD footage. Smoother gradients and less banding in skies and skin than a standard 33-point LUT. Restrained cinematic base grade.
8 black and white .cube LUTs built on real channel-mixer filters. Red-filter skies, orange-filter skin, selenium and sepia toning. For DaVinci Resolve, Premiere Pro, Final Cut Pro, and CapCut Desktop.
8 cinematic film emulation .cube LUTs. Warm film stock, slide-film chrome, matte fade, bleach bypass, and thriller teal. For DaVinci Resolve, Premiere Pro, Final Cut, and CapCut Desktop.
8 professional .cube LUTs built for content creators. Scroll-stopping color for CapCut, Instagram Reels, TikTok, and YouTube. Punchy, clean, and skin-tone safe.
10 .cube LUTs for Sony S-Log3: 5 look LUTs to apply after your Rec.709 conversion, plus 5 film stock looks that convert S-Log3 and grade in one file. For A7S III, FX3, FX6, FX9 and VENICE.
5 cinematic .cube LUTs for DJI D-Log M drone footage. Warm cinematic, cool moody, bleach bypass, faded film and high contrast. Look LUTs: apply after your D-Log M to Rec.709 conversion. For Mini 4 Pro, Air 3 and Mavic 3.
The paid packs are on the LUT packs page. Log conversions for Sony, Canon, Nikon, DJI and iPhone are on the camera pages.
Download the .cube file
Pick a LUT below and download it. Packs arrive as a zip with one .cube per look.
Open Lumetri Color
Select the clip in the timeline, then open Window, Lumetri Color.
Load it under Creative, Look
In the Creative section, open the Look dropdown, choose Browse and select the .cube file.
Set the strength
Use the Intensity slider under Look. Lumetri applies a look at full strength by default.
Longer walkthrough: how to use LUTs in Premiere Pro.
Creative Look, not Input LUT
Input LUT under Basic Correction is for technical conversions and has no strength control. A creative LUT belongs under Creative, Look.
Shooting log
A look LUT expects normal Rec.709 footage. On S-Log3, C-Log3, N-Log, D-Log M or Apple Log, convert to Rec.709 first and put the look on top. In Premiere that means the conversion LUT on Input LUT and the look on Creative, Look.
Keeping LUTs in the dropdown
Copy the .cube files into ~/Library/Application Support/Adobe/Common/LUTs/Creative on macOS or C:\Program Files\Adobe\Common\LUTs\Creative on Windows, then restart Premiere. Create the folders if they are missing.
Every LUT here opens in the Luttie editor in your browser. Load it on your own frame, adjust it, and export a new .cube for Premiere Pro. Grading is free; LUT export needs Luttie Pro.
The free LUTs are, including for commercial and client work, and they download without an account. The Pro packs are a separate one-time purchase.
Premiere Pro loads .cube files in the Lumetri Color panel. Every LUT on this page is a .cube.
You do not have to install anything. Select the clip, open Lumetri Color, and under Creative choose Look, Browse, then pick the .cube file. To keep a LUT in the Look dropdown, copy it into Adobe's Common/LUTs/Creative folder and restart Premiere.
Lumetri applies a look at full strength. Lower the Intensity slider under Creative, Look. If the image looks washed out or far too contrasty, the footage is probably log and needs a conversion LUT first.
Yes. Grade a frame in the Luttie editor in your browser and export it as a .cube, then load it in Lumetri the same way. LUT export needs Luttie Pro.
LUTs for other apps