The warm red-orange glow that bleeds from bright areas into surrounding midtones. It's the single most recognisable optical characteristic of film — and the hardest to fake with colour grading alone. Now in your browser.
New to it? Read what halation is and why film glows red.
How intense the halation glow is. Start at 10–20 for subtlety — halation is most convincing when you're not sure if it's there. Push to 60+ for stylised, expressive looks.
How far down into the highlights the tint reaches. Low radius keeps it to the brightest points. High radius tints more of the image, reaching into the upper midtones and warming everything around your highlight sources.
The colour of the halation. Default is warm red-orange (hue ~10), matching most film stocks. Shift toward 40 for golden amber. Shift toward 350 for a pinker Kodak-style halation.
Hair lights, rim lights, and subjects in front of windows — these are where halation creates the most convincing film feel. The warm glow wrapping the edge of a backlit face is instantly recognisable as film.
Practical lights (street lamps, neon signs, car headlights) bloom with halation in real film stock. Adding it to night footage transforms the look from clean digital to cinematic.
When the sun is low and highlights are warm, halation amplifies the natural warmth and extends it into surrounding areas — creating the glow that makes golden hour footage look expensive.
Bright patches of skin — foreheads, cheekbones, shoulders in sun — gain a subtle warm halo that makes subjects feel embedded in their environment rather than cut out against it.
Open the Luttie editor in your browser, load a photo or video, and turn up Amount in the halation controls. Radius sets how far down into the highlights the tint reaches, and Hue sets its colour. It renders on your own device, so there's nothing to install. Halation is one of Luttie's film effects, which are part of Luttie Pro.
The anti-halation dye in most film stocks absorbs green and blue light more efficiently than red. The reflected light that creates halation is therefore biased toward red wavelengths, giving the characteristic warm red-orange colour. Different film stocks have different halation colours — some are more pink, others more orange — which is why the hue control in Luttie's halation effect matters.
Halation is specifically the warm coloured glow caused by light reflecting inside the film base — it's tinted, typically warm, and wraps around highlights into surrounding midtones. Bloom is a lens or diffusion effect — a bright, diffuse glow that emanates from highlights regardless of film stock. In practice: halation adds colour and warmth to bright edges, bloom adds bright diffuse softness. They're complementary effects.
Yes — the Hue slider lets you shift the halation colour from the default warm red-orange (hue ~10) across the full 0–360 range. Most film stocks sit between 5 and 25. Moving toward 40–50 gives a more golden amber halation, which suits warmer scenes. Moving toward 350 gives a pinker halation, common in some Kodak stocks.
Yes. Luttie's halation depends only on each pixel's brightness, so it's included when you export a LUT, along with bloom. Film grain isn't, because a LUT can only change colour, not add texture. All three are included when you export an image or video.
Halation, grain, bloom, LUT export, RAW support, AI Grade — all in Pro.