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4K LUT Pack — 8 Cinematic 65-Point LUTs for UHD Footage

8 high-density 65-point .cube LUTs for 4K and UHD footage: cinematic, natural, golden hour, teal and orange, moody, faded film, night city and mono. Smoother gradients than 33-point LUTs.

4kuhdcinematichigh resolution65 pointcube

Most LUTs are 33-point: a 33×33×33 grid of colour samples, with everything in between interpolated. That's invisible on a 1080p timeline. On 4K it isn't always, because the wide smooth areas that fill a big frame (sky, skin, a lit wall) are exactly where interpolation error shows up as banding.

Every file in this pack is built at 65 points: 274,625 colour samples instead of 35,937. That's the high-density size DaVinci Resolve exports natively, so each one loads anywhere a 33-point file does, at about 7 MB instead of 1 MB.

What's inside

  • 4K Cinematic: the 4K LUT itself. Filmic contrast, a light teal-and-warm split, skin held warm.
  • 4K Natural: barely a grade. A little contrast and highlight rolloff, video greens tamed, skin left alone. For footage that should look finished, not styled.
  • 4K Golden Hour: warm light and warmer highlights, with skies kept from going green.
  • 4K Teal Orange: teal backgrounds against warm skin, at a strength that holds up on a big screen.
  • 4K Moody: darker and desaturated, with cool shadows. Skin keeps its colour while everything around it loses some.
  • 4K Faded Film: lifted, matte blacks, softer colour and film greens.
  • 4K Night City: cool cyan shadows and magenta in the highlights, for night exteriors and city lights.
  • 4K Mono: a clean black and white with a red-leaning mix, so skin stays bright instead of going grey.

Why they're restrained

A grade that looked good on a phone tends to fall apart on a 65-inch screen, where every push in contrast and saturation is four times more visible. Heavy grades are also where a LUT's sample points effectively land furthest apart. So these are pulled back further than the same looks in the 33-point packs. Use them as the base, then add your own pass on top.

Already bought the 4K LUT?

Sign in with the same account and its $7 comes off the pack at checkout. You're only paying for the seven looks you don't have yet.

Shot in log?

Convert to Rec.709 first, then apply one of these on top. The camera LUT packs do the conversion for Sony, Canon, Nikon, DJI and Apple.

How to use them

  1. Download the pack. Every look is a separate .cube file of about 7 MB.
  2. Import one in DaVinci Resolve, Premiere Pro, Final Cut Pro or CapCut, or try it on a still in the Luttie editor.
  3. Set exposure and white balance per shot first. A LUT can't fix a shot that's off before it gets there.

FAQ

Is a "4K LUT" a real thing?

Not as a category. A LUT has no resolution in pixels, and any LUT can be applied to 4K footage. What's real is the point count, and that's what these files change: 65 points instead of 33, which is what actually helps on high-resolution footage.

Will they work on 1080p?

Yes. A LUT doesn't care about frame size. On 1080p you're unlikely to see a difference from a 33-point version, so if that's all you deliver, the free LUT library is genuinely fine.

Each file is yours to keep, for personal and client work. The pack is also included with Luttie Lifetime.

What each look does

Measured from the files themselves. Tint is the hue each end of the range is pushed toward; saturation is the average change across the whole frame.

LookShadowsHighlightsSaturation
4K Cinematic210° blueneutral+9.9%
4K Naturalneutralneutral+0.5%
4K Golden Hour21° orange31° orange+0.3%
4K Teal Orange201° blue37° orange+7.5%
4K Moody210° blue208° blue-4.6%
4K Faded Filmneutralneutral-14.3%
4K Night City215° blue258° blue+13.9%
4K Mononeutralneutral-67.7%
6,265creators using Luttie
132+LUTs exported
68,599+LUTs downloaded

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