Pick a shadow colour and a highlight colour to see the resulting split-tone grade across the full tonal range. Adjust balance to shift the transition point.
Split-toning adds different colours to the shadows and highlights of an image independently. The shadows receive one hue — often cool (blue, teal, green) — while the highlights receive another — typically warm (amber, orange, gold). The result is a colour contrast that adds cinematic depth and visual interest without changing the overall exposure.
Teal and orange are complementary colours, sitting opposite each other on the colour wheel. Human skin tones are primarily orange, so a teal shadow creates natural contrast that draws attention to faces. This is why nearly every Hollywood blockbuster from the 2000s onwards uses some version of this split — it works with human subjects almost universally. That said, over-use has made it a cliché; subtler splits (muted green/gold, deep blue/warm white) often feel more distinctive.
Start with the mood: cool shadows suggest tension, mystery, isolation. Warm shadows suggest intimacy, nostalgia, comfort. Then pick a highlight colour that either contrasts (complementary) or harmonises (analogous) with the shadow. Keep saturation low — a subtle split-tone usually reads as "cinematic", while a heavy one reads as "filtered".
Apply split-tones to your own images with the full colour grading editor.
Use colour wheels, curves, and HSL secondary for precise control.
Open the editor →