Wedding LUT Pack — 8 LUTs for Wedding Photo & Video

A wedding grade has one constraint no other job has: the dress. Warm the image enough to flatter skin and an ivory dress goes cream; let the highlights run and the lace detail — often the whole point of the shot — clips to paper. Every look in this pack rolls the highlights early and keeps its warmth in the mids and shadows rather than the top end, so faces stay warm while white stays white.

Eight looks, included with Luttie Pro, and they work anywhere .cube works.

What's inside

• Ivory — the reference look. Barely-there warmth with the earliest highlight rolloff in the pack. Start here for anything dress-forward.

• Golden Aisle — warm amber ceremony light with teal pushed into the shadows. Outdoor and golden-hour vows.

• First Light — bright, airy and low contrast. Getting-ready shots and window light.

• Candlelit — warm with deepened blacks, built for tungsten and candle-lit receptions without going orange.

• Timeless Film — matte blacks and reduced saturation. The one that will still look right in ten years.

• Garden Party — greens lifted and pulled off video-green, skin held. Outdoor and marquee receptions.

• Evening Reception — the most contrast here, with crushed blacks for dance floors and uplighting.

• Soft Romance — pastel and gentle, the closest to a portrait look in the set.

Which one should you use?

Pick by the light. Window and morning light wants First Light. Sun wants Golden Aisle. Anything indoors and warm-lit wants Candlelit or Evening Reception, depending on how much contrast the room can take. If the dress is the subject and you are unsure, Ivory is the safe answer.

How to use them

1. Download the pack — every look as a separate .cube file.

2. Load one in your editor — DaVinci Resolve, Premiere Pro, Final Cut Pro, CapCut, VN, or LumaFusion.

3. Set white balance first. A wedding is usually lit by two or three different colour temperatures at once, and no LUT can fix that for you.

Shooting log?

These are built for standard Rec.709 footage and normal photos. If you're on S-Log3, D-Log M, C-Log or N-Log, apply your camera's conversion LUT first, then stack one of these on top.

Make them yours

Every look here is a starting point. Load one in the Luttie editor, adjust it, and export your own .cube.