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how to import luts into premiere pro (add & apply)

how to import a .cube lut into premiere pro with lumetri color, add it to the dropdown for good, and apply it to a clip, an adjustment layer or log footage.

how to import luts into premiere prohow to add luts to premiere prohow to use luts in premiere propremiere pro lutlumetri color lutcolor grading premiere prohow to apply a lutlut for premiere pro

to import a lut into premiere pro, select the clip, open lumetri color, and under creative → look choose browse, then pick the .cube file. to add luts to premiere pro so they stay in that dropdown, copy them into adobe's common luts folder and restart.

this guide covers both, plus applying a lut to an adjustment layer and the right order for log footage.

need a lut to import? grab free .cube luts or a pro lut pack. want your own look instead? build it in the luttie editor and save it as a .cube (grading is free, lut export needs pro).

how luts work in premiere pro

premiere pro applies luts through the lumetri color effect, available in two places:

  • the creative tab — for look-based creative luts
  • the input lut dropdown — for technical/conversion luts (applied before any other adjustments)

the distinction matters: applying a creative lut via input lut means it processes before premiere's color corrections, which can produce unexpected results on log footage. more on the correct order below.

importing luts into premiere pro

there are two ways to get a .cube file into lumetri.

browse to it each time. nothing to install: pick browse in the look or input lut dropdown and select the file. the steps are below.

install it so it stays in the dropdown. copy the file into adobe's common luts folder and restart premiere:

  • macos: /Users/<you>/Library/Application Support/Adobe/Common/LUTs/
  • windows: C:\Users\<you>\AppData\Roaming\Adobe\Common\LUTs\

inside that, luts in a Creative folder appear under creative → look, and luts in a Technical folder appear under basic correction → input lut. create the folders if they're missing.

you'll see videos that put luts inside the premiere pro app itself instead. adobe's own faq says not to, because luts stored there are lost when premiere updates. the full steps are in how to install luts so they stay in the menu.

applying a lut via lumetri color

method 1 — creative look (most common)

this is the right place for cinematic, stylistic luts:

  1. select your clip on the timeline
  2. open window → lumetri color
  3. click the creative tab
  4. under look, click the dropdown → browse
  5. navigate to your .cube file and select it
  6. use the intensity slider to dial in how strongly the lut is applied (100 = full strength)

method 2 — input lut (for technical/conversion luts)

use this for log-to-rec.709 conversion luts — it processes before all other lumetri adjustments:

  1. in lumetri color, open the basic correction tab
  2. at the top, find input lut → click browse
  3. select your conversion lut

now all the sliders below it (exposure, contrast, white balance) operate on the already-converted image, which is the correct order for log footage.

applying a lut to an adjustment layer

the best practice in premiere is to apply luts via an adjustment layer so a single lut affects every clip underneath it — keeping your timeline clean and making global grade changes easy.

  1. in the project panel → new item → adjustment layer
  2. set it to match your sequence settings → ok
  3. drag the adjustment layer to a track above all your footage
  4. select the adjustment layer → apply the lut via lumetri color as above

to change the grade later, you only need to update the lut on the adjustment layer — not on every clip individually.

correct order for log footage

if you're working with log footage (sony s-log, canon log, arri log-c, etc.), the right order in lumetri is:

stepwhere in lumetriwhat it does
1. convert color spaceinput lut (basic correction)log → rec.709
2. primary correctionsbasic correction slidersfix exposure, wb
3. apply creative gradecreative → lookcinematic look

skipping step 1 and applying a creative lut directly to log footage results in a washed-out, low-contrast image. always convert first.

stacking multiple luts

premiere doesn't support multiple lumetri lut slots natively, but you can stack luts by applying the lumetri color effect multiple times:

  1. select your clip
  2. go to effect controls
  3. apply lumetri color from the effects panel a second time
  4. each instance has its own set of tabs — use one for the conversion lut and another for the creative lut

creating a lut for premiere pro

premiere pro can't export .cube lut files from your grade. if you want to export a reusable lut to use across projects or share with a team, you have two options:

  • adobe media encoder — can export a lut from a lumetri grade, but requires some workarounds
  • luttie — grade a frame in your browser and save the look as a .cube, then import it into premiere using the steps above. nothing to install. grading is free, lut export needs luttie pro.

summary

  • apply creative luts under lumetri color → creative → look
  • apply technical/conversion luts under lumetri color → basic correction → input lut
  • use an adjustment layer to apply a lut to all clips at once
  • always convert log footage before applying creative grades
  • to make your own lut, grade a frame in the luttie editor and save it as a .cube (lut export needs pro)
  • for ready-made looks, grab free .cube luts or a pro lut pack
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