DJI D-Log M LUTs — 5 Rec.709 Conversion LUTs
5 cinematic .cube LUTs for DJI D-Log M drone footage. Warm cinematic, cool moody, bleach bypass, faded film and high contrast. Look LUTs: apply after your D-Log M to Rec.709 conversion. For Mini 4 Pro, Air 3 and Mavic 3.
5 cinematic .cube LUTs for DJI D-Log M drone footage. D-Log M is a flat, low-contrast log profile. It preserves dynamic range but looks washed out until it is converted and graded.
What is DJI D-Log M?
D-Log M is DJI's logarithmic colour profile, available on drones like the Mini 4 Pro, Air 3, Mavic 3 and more. It captures a wider dynamic range than standard colour profiles by compressing highlights and shadows, which is why the footage looks flat and desaturated straight out of camera.
Apply your D-Log M conversion first
These are look LUTs, not conversion LUTs. D-Log M holds its highlights far above what a display can show, and these grades do not expand that range, so applied straight to log footage the result stays flat and the highlights stay dead. Convert to Rec.709 first using DJI's own conversion LUT or your editor's colour-space transform, then stack one of these on top. That is the normal order in any grading suite: technical transform, then look.
What's in the pack
Warm Cinematic
Rich amber and teal tones with lifted shadows. Gives DJI footage the polished, warm look of high-end travel and commercial cinematography.
Cool Moody
Desaturated blues and cooled highlights with deep shadows. Ideal for overcast skies, urban environments, and dramatic aerial shots.
Bleach Bypass
High-contrast desaturated look inspired by the classic darkroom technique. Lifts shadows slightly, crushes colour. Gritty and stylised.
Faded Film
Lifted blacks, muted saturation, and a warm cast across midtones. The timeless film-worn aesthetic applied to drone footage.
High Contrast
Deep blacks, punchy highlights, and vibrant colour. Gives converted D-Log M footage immediate visual impact.
Make them yours
Every look here is a starting point. Load one in the Luttie editor, adjust it, and export your own .cube.
What each look does
Measured from the files themselves. Tint is the hue each end of the range is pushed toward; saturation is the average change across the whole frame.
| Look | Shadows | Highlights | Saturation |
|---|---|---|---|
| Warm Cinematic | 33° orange | 34° orange | +4.4% |
| Cool Moody | 240° blue | 231° blue | +21.0% |
| Bleach Bypass | neutral | neutral | +8.9% |
| Faded Film | neutral | 22° orange | +5.0% |
| High Contrast | neutral | neutral | +22.6% |