Drag the slider to see how reducing LUT strength affects typical colour values across skin, sky, shadows, and highlights. Most grades look best between 60–85%.
LUTs are built from a specific source image. When you apply one to footage with different exposure, white balance, or colour profile, it often feels heavy or off. Reducing the strength blends the LUT with the original footage, letting you control how aggressively the look is applied.
In DaVinci Resolve, this is the LUT opacity slider in the Colour page. In Premiere Pro, it's the intensity slider in Lumetri Colour. In Final Cut Pro, it's the Mix slider in the Custom LUT effect. The concept is the same: linear interpolation between your original pixel values and the LUT output.
LUT strength is a simple linear blend. For each pixel:output = original + (lut_output - original) × strength
At 0%, you get the original. At 100%, you get the full LUT output. At 50%, you get an equal blend. This is exactly what Luttie's colour match strength slider does when you use the colour match feature.
Start at 100% to see the full intention of the LUT, then pull back until the result feels natural. Watch skin tones specifically — they're the first thing that looks wrong when a LUT is too strong. Most filmic looks land between 60–80%. Creative or stylised LUTs (high contrast, heavy toning) often work better around 40–60%.
Apply LUTs with a live strength slider on your own images.
Colour match any reference and dial in strength before exporting.
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